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In the episode entitled “Over,” Walt has just been given the good news that his cancer is in remission.
Breaking bad season 1 songs tv#
It doesn’t hurt that the TV On the Radio album it comes from, Dear Science (coincidence?!), was my favorite album back in 2008. “DLZ” is probably my favorite song and musical moment ever on Breaking Bad. “DLZ” TV On the Radio (Season 2 Episode 10) As a result, the cartel is “running hot.” The band ominously warns “that homie’s dead / he just doesn’t know it yet.” As with most opening sequences to Breaking Bad, this song catches your attention and foreshadows the conflicts to come in future episodes. What may at first come off as an upbeat, humorous song honoring Heisenberg and his pure, blue crystal quickly turns dark as the singers harmonize how his legend has spread through Mexico. The episode opens with mariachi band Los Cuates De Sinoala singing “Negra Azul (The Ballad of Heisenberg)”. In season 2, Walt and Jesse are able to rid themselves of the dreaded Tuco and start-up their own rag-tag drug distribution ring in Albuquerque. In the background Cee Lo Green’s voice can be heard crooning out the bluesy chorus “Who’s gonna save my soul now? How will my story be told now?” “Negra Azul (The Ballad of Heisenberg)” Los Cuates De Sinoala (Season 2 Episode 7) As Tuco drives out of the junkyard, the two meth cooks stand in shock, realizing that they’ve gotten in over their heads. Walt and Jesse have just witnessed their distributor, Tuco Salamanca, beating one of his henchmen to death for speaking out of turn. This ominous song arrives at the end of the final episode of the first season. The one time emasculated, shell of a man has returned as “the out of time man with nothing to lose.” As Walt jumps into bed and ravages his wife like never before, the song kicks in, the organs swaggering and Mick’s calm, collected voice singing Walt’s new nothing left to lose mantra of “no use in waiting no more.” “Who’s Gonna Save My Soul” Gnarls Barkley (Season 1 Episode 7) Returning home to his wife, Walt is draggled, relieved, and filled with an adrenaline he hasn’t experienced in years. The mild-mannered Walter White has just returned from one hell of a day: cooking meth with a junkie in the desert, a gun shoot-out with drug dealers, a homemade poisoning of said drug dealers with phosphine gas, a crashed RV, and a moment of desperation where he held a gun to his jaw and prepared to say goodbye to the world. This track, which is very reminiscent of Iggy Pop’s “The Passenger,” arrives at the end of the very first episode (best first episode of a show ever?). Rather than rank them in some type of top 10 list, I opted to reveal them chronologically to show how they helped shape the transformation of Walter White into Heisenberg. This is a list of the tunes that had the most impact on the series, the songs that both set the mood for key scenes and also added depth and complexity to the story through their lyrics. This also isn’t a list of the songs I enjoy the most from the show, so you won’t be seeing any mention of The Walkmen, John Coltraine, or Thee Oh Sees. This isn’t a list of my favorite musical moments, so you won’t be hearing about Gale’s karaoke video nor Jesse’s old band, Twauthammer (although “Falacies” was a bad ass song). As a result, I decided to create a list of my top ten songs of the show. While Dave Porter’s intense background symphonies punctuate the drama, I often find the pop songs used to be even more revealing. One of the elements that is often overlooked is the show’s use of music.
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Whether it be the symbolism found in the ricin kept in the White household, the parallelism of both Gus Frain and Walter’s downfall, or the show’s constant reliance on foreshadowing, the minds behind Breaking Bad ensure that you’re getting more than just a cheap thrill. However, the show’s complexities propel the show beyond the simple confines of a Friday night nail biter. It goes without saying that action and suspense are key elements to the popularity of Breaking Bad.